EP Review | Apsi Magazine

EP REVIEWS

Ghost of Panama’s “Astral Day and Spectral Letter” is a Sonic Montage of Global Isolation

Ada May Sacil August 13, 2025 0

Wingfish Offers Something Different on Looking Forward

Ian Ureta August 8, 2025 0

Michellar’s “My Alma Latina” Is Another Level Of Introspection

Kate Clarice Lee August 5, 2025 0

“Sun to Rise EP” Is Stephen Foster’s Take On Calming Yet Haunting Tunes

Kate Clarice Lee August 2, 2025 0

Protected: Captain Mantis Makes A Significant Mark With “Vice Market”

Kate Clarice Lee July 28, 2025 0

Kyle Waves Sends You Straight Into Euphoria with Pop-Centric EP “Signals”

Ada May Sacil July 25, 2025 0

Give prdr’s malice of chance and time a spin if you love ‘90s prog-rock and 2000s alt-rock

Ada May Sacil July 24, 2025 0

Get back in your element with Maijah’s Sinking/Floating made for the iconic bedrot baddies

Ada May Sacil July 18, 2025 0

Evan Zorn Von Berg’s “Return” is a Sublime Collision of Sound and Emotion

Ada May Sacil July 14, 2025 0

EGO by Winterblind doesn’t ask for your attention; it demands it, unapologetically and with a solo

Ian Ureta July 13, 2025 0

Flora Lin’s “Fauna” Is Beautifully Conceptualized

Kate Clarice Lee July 10, 2025 0

May: 21–26 by Evan de Roeper isn’t here to save you, and it’s not pretending it can

Ian Ureta July 5, 2025 0

What makes Time & Space by P-Rawb & Big O stick isn’t just polish; it’s how lived-in it feels

Ian Ureta June 30, 2025 0

Microclimbs by gnomes is Small, Weird, and Painfully Sincere

Ian Ureta June 28, 2025 0

Take Saturn Return’s “no strings” At Face Value

Kate Clarice Lee June 28, 2025 0

DYSBANDED is back with no skip, no filter The Wilcox Demos

Ada May Sacil June 24, 2025 0

Dream Bodies is back with emotionally gripping curation of tracks Circle of Light

Ada May Sacil June 21, 2025 0

Morena by Alex Forte demands your attention and earns every second

Ian Ureta June 17, 2025 0

Experience A New Fusion In “We Are All Bots” by Andrea Pizzo And The Purple Mice

Kate Clarice Lee June 17, 2025 0

If you’ve ever stared out a rainy window and thought about your relationship with your dad, Camino by Plàsi is the EP for you

Ian Ureta June 16, 2025 0

We Are All Bots by Andrea Pizzo and the Purple Mice is a glimpse of a hyper-tech future

Ada May Sacil June 15, 2025 0

El Camino An EP by The Nghiems

AntiPopPunk PopPunkClub June 13, 2025 0

Is “Everything’s Good, Everything’s Fine” by Birds With Arms Just One Big Paradox?

Kate Clarice Lee June 8, 2025 0

Amgtask’s Pain In My Heart is not interested in making a quiet entrance; it’s here to hurt your feelings in hi-fi

Ian Ureta June 7, 2025 0

We Can’t Get Enough Of Boy Maj’s “Premium Vibes Vol. 1”

Kate Clarice Lee June 7, 2025 0

God Fearing Man by Adam Atom is a document of change, a mid-step in a longer walk

Ian Ureta June 7, 2025 0

And in a world where everyone’s screaming for your attention, Gord by Alex McCulloch feels like a miracle

Ian Ureta June 7, 2025 0

The final boss doesn’t stand a chance against Game Boy by YME

Ian Ureta June 4, 2025 0

The Sound Of “Paradox Room” by ARPRAXIS Is Not What It Seems

Kate Clarice Lee June 3, 2025 1

The Beautification Of Noise, As Seen On Fogchild’s “Future Republican President”

Kate Clarice Lee May 31, 2025 0

Pompeya serves dance floor-ready blends of retro aesthetics and modern flair with their newest EP “Awesome”

Ada May Sacil May 28, 2025 0

Risk 2 Self by Riskaverse is a hidden gem that deserves a spot in your indie pop punk playlist

Ada May Sacil May 23, 2025 0

“Parallel Hearts” by Fi-Né 粉內 Makes You See Stars

Kate Clarice Lee May 23, 2025 0

DC’s United The EP isn’t just an introduction to H.E.M. Steel’s sound; it’s a declaration of his intent

Ian Ureta May 21, 2025 0

Listen to This Is Only a Test by Crooked Cranes if you want tracks that hits and lingers

Ada May Sacil May 19, 2025 0

Leila Addams Unravels Herself In New EP “Bones”

Kate Clarice Lee May 14, 2025 0

Into Divinity by .Roy stays true to its title and it deserves to hit more replays

Ada May Sacil May 13, 2025 0

Tati brings out fresh and compelling listening experience with TATI PART 2

Ada May Sacil May 8, 2025 0

“pretty, baby!” is about identity, grief, joy, community, and most importantly: it sounds good as hell

Ian Ureta April 25, 2025 0

if you’ve got at least one unresolved emotional wound from your twenties, give Eyes Like Torches at the Gate by Ratyński a spin

Ian Ureta April 25, 2025 0

Gemeinsam Stark by Stahlschmiede is not a mere vibe; it’s a declaration

Ian Ureta April 20, 2025 0

WELCOME TO THE FUTURE is chaotic, over-the-top, and endlessly charming

Ian Ureta April 18, 2025 0

Breakfast EP is a great way to start your day. Like breakfast

Ian Ureta April 1, 2025 0

Mind at Ease is a must-listen for anyone who has ever gazed at a sunset and thought, “Yeah. This is it.”

Ian Ureta March 24, 2025 0

I PLEAD INSANITY makes you want to run through a brick wall, but in a really energetic and yet cool way

Ian Ureta March 19, 2025 0

Is “Newborn Fossil” A Hidden Gem Of Lost Time?

Kate Clarice Lee March 13, 2025 0

Doing Is Better Than Saying With “Ratyński Snug as a Gun”

Kate Clarice Lee March 9, 2025 0

“The Fourfold Descent”, The Poetic Four-Part EP

Kate Clarice Lee March 9, 2025 0

Transcending Into the Unknown says on The Journey: “We don’t care about genres, we care about making something awesome.”

Ian Ureta March 8, 2025 0

“No One Was Saved” Is A Glimpse Of What Could Be

Kate Clarice Lee March 8, 2025 0

Naylor Stone is here to be heard on The Game of They

Ian Ureta February 25, 2025 0

IS THIS WHAT I SEE? A great synthpop EP?

Ian Ureta February 24, 2025 0

RAISE YOUR FIST made a powerful comeback with the EP “Leader of the Pack.”

Tine Quirino February 22, 2025 0

The Stanchions Keep It Cool with “Mentally Chill”

Ian Ureta February 17, 2025 0

Die Alone and the Irony of Making Euphoric Anthems

Ian Ureta February 15, 2025 0

Rainbow City Park’s “Fruitless” EP is a Nostalgia Driven Experience

Ervin Besana February 6, 2025 0

Lee Trent Leans Into Positivity With “In Presence”

Kate Clarice Lee February 3, 2025 0

4rm Losses 2 Leisures and an “unapologetic series of musical snapshots”

Ian Ureta January 31, 2025 0

“Living & Breathing” Showcases Alex Runo’s Dignity and Spirit

Kate Clarice Lee January 31, 2025 0

Holy Underrated: Honeysucker’s “Headed for a Dive”

Kate Clarice Lee January 25, 2025 0

“Passion/Bliss” and sending kudos to the end of their trilogy

Ian Ureta January 22, 2025 0

BOP OF THE YEAR! NYRE Debuts With EP Avoidant

Tine Quirino January 18, 2025 0

Too Much Blood in the Beer Stream By Left Handed Knives

Joey Yusician January 16, 2025 0

Kinsley Make the Macabre Vivid on DEMONS

Ian Ureta January 13, 2025 0

Join Shaven Primates on Chasing Dragons with their New EP

Kate Clarice Lee January 12, 2025 0

“Campamento” and the bliss of transcending boundaries

Ian Ureta January 11, 2025 0

“Romeo and Juliet” Deems Essential for Every Wedding Reception

Kate Clarice Lee January 11, 2025 0

EP REVIEW: Sunsetter by Positive Reptile

Ian Ureta January 10, 2025 0

No Rush, Just Rock with Electric High’s “Ain´t Got Nothing But Time”

Ada May Sacil August 13, 2025 0

By Blending That Precision With Mythological Weight, Exzenya Turns Intermittent Love Into Something More Than Just a Breakup Song

Ian Ureta August 13, 2025 0

Cowards and Shadows by Fiona Amaka Works Because It’s Not Forcing You to Feel Anything Specific

Ian Ureta August 13, 2025 0

Azkia Malik’s “Natural Habitat” Got No Filler, No Empty Flair — Just Pure Hip-Hop

Ada May Sacil August 13, 2025 0

The Real Joy Is That Babyboii’s Pelham Parkway Feels Lived In

Ian Ureta August 12, 2025 0

Boathouse Row by MrZnote Is a Quiet Flex; the Kind That Doesn’t Need to Raise Its Voice Because It Knows Exactly Who It’s Talking To

Ian Ureta August 12, 2025 0

In Search For An Authentic, Country Tune? David Alex-Barton’s “Dog ‘N All” Is The Way To Go

Kate Clarice Lee August 12, 2025 0

Wrack Your Mind To Shyfrin Alliance’s “Colours Of Time”

Kate Clarice Lee August 12, 2025 0

Romanticize Life With Audren’s “A New Page”

Kate Clarice Lee August 8, 2025 0

DG Adams’ “Business As Usual” Is A Spot-On Track About Our World Today

Kate Clarice Lee August 7, 2025 0

Protected: WhiteRoomNightmare’s “Space Cadet” Will Knock Your Socks Off

Kate Clarice Lee August 6, 2025 0

Emland’s “You and I” Isn’t Just Another Heartbreak Anthem—It’s an Elegy

Ada May Sacil August 5, 2025 0

Protected: “Fog” Is Bells Deep’s Take On A Fragmented World

August 11, 2025

The Shrub Layer Is a Record That’s Confident Enough to Be Exactly What It Is: Intricate, Unpredictable, and Slightly Damp

Feel Intimacy in Motion with “2 Is Company” by Von LaRae

The Earth & All Within Isn’t Interested in Being Subtle

Protected: Nate G Cultivates on Me Myself I, a Self-Produced Dive Into Solitude, Self-Awareness, and the Unbearable Tightness of Being Alone With Your Own Thoughts for More Than Five Minutes

“Jazz For Gen X” by The Revenge Society is Not Just an Album, It’s a Sonic Archive that Bites Back