2025

Paradimyo’s “Ligaya” Is Every Hopeless Romantic’s New Anthem

In the world of OPM, the range of genres gets constantly bigger through time, as artists, old and new alike, explore different sound profiles throughout their respective careers. Paradimyo, an indie band based in Cavite, Philippines, takes what’s there to love about OPM and combines them in a beautiful arrangement called “Ligaya”. Firstly, the opening […]

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Canary Complex’ Album “A Whisper of Spring” Radiates Elegance

Each track off this record will make vibrant colors pop, or a scenery that solo project Canary Complex paints in every listener’s mind. This album being his brainchild is an understatement, as it really does feel like every instrument is plucked and every word is written and arranged with precision, not to mention pure skill

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Paul Cogley’s The Silent Sea is less “an album” and more “a meticulously crafted emotional gut-punch”

Disguised cleverly as a collection of songs. It’s the kind of record that doesn’t politely shuffle into the background. Rather, it sits you down, stares into your eyes, and asks if you’ve really thought about the crushing absurdity of modern life lately. And when you say “yes,” it stares harder. Sonically, The Silent Sea is

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Ken Woods and The Old Blue Gang Introduces Their Turf In “Sundown Town”

From the title to the sound, you’d immediately get a sense of belongingness, as everything sounds old fashioned yet absolutely fitting, and “Sundown Town” just has a kick to it. Of course, that’s the surface level thought of someone who is not American. According to these bands featured in the song, they aim to tell

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Omar’s “I Got You” Quirkiness And Reassurance All in One

How many songs that will make you feel good in more ways than one do you know? Well, you’re in for a treat, because “I Got You” is both catchy and good-willed at the same time. It has a balanced combination of playfulness and remedying something serious, absolutely getting the job done. Inspired by Justin

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Pourquoi? C’est L’Amour by La Need Machine understands the assignment

La Need Machine, emerging from the eternally rain-drenched indie petri dish that is Seattle, have somehow managed to weaponize sincerity and make it work. In a world where “authenticity” usually means taking a moody black-and-white selfie and calling it an album cover, these guys actually mean it. Their sound? A gloriously chaotic cocktail of indie

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Don’t Give Everything by Holy Dose is leading the charge, and you’ll get left behind if you don’t keep up

Imagine a world where the last four or five years of experimental hardcore albums have just been a warm-up. God’s Country? Cute. Soul Glo throwing everything in the kitchen sink? Sure, if you like that kind of thing. Chat Pile telling tales of industrial despair? Admirable. Now, enter Holy Dose, a trio from Los Angeles

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The Quiet One by Ray DA Worst aren’t just playing to the underground; they’re reshaping it with every bar, every beat, and every precision-placed scratch

In the modern music economy, where “albums” are often just glorified TikTok delivery systems and attention spans have been reduced to the lifespan of a sneeze, The Quiet One is, frankly, obnoxious. In a good way. Let me explain. It is 33 tracks long. Thirty-three. That’s not an album. That’s a novella. That’s an unabridged

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“Never Came to Be”, A Bittersweet Tale by Noctæra

Bearing a pop rock, emo-esque tune, this Noctæra single also consists of a story that will get heads turning and attention piquing. It’s vague in a sense that it would make audiences want more, yet precise enough to make them relate to select lines. Through questions, assumptions, and hopefulness felt in the words, it’s as

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