Give prdr’s malice of chance and time a spin if you love ‘90s prog-rock and 2000s alt-rock

Behind every great song is an artist who spent years perfecting and producing high quality pieces. This discipline and dedication can be heard through prdr’s upcoming EP the malice of chance and time. prdr is a composer and producer from Adelaide, Australia. His EP demonstrated his artistry and continues to outdo himself through tracks that showcases his signature blend of technicality and beauty from ‘90s prog-rock along with the reflective grit of the 2000s alt-rock.

The lead single waiting in the light (the dreamer) established the atmosphere and course of the EP. prdr’s attention to detail and excellence in production rings out with clarity. The sharp and precise drum patterns create tension and movement, the electric guitar sets the tone with punchy and raw energy strums and riffs. The lyrics are well thought out, it’s hopeful and expectant which fits perfectly into the vibe of the song.

The second track can we go back (the optimist) is also written on the same font with the lead single. The cinematic keyboard textures from the intro is evocative as it builds up slowly and flawlessly converse with the drums and guitar. The lyrical content is sharp and resonant, true to its concept for the optimist.

The spaces in between (the observer) starts off strong as the third track and maintains the energy of the EP. The delayed leads and dynamic phrasing of the guitar adds depth while the lines are rich enough to convey the narrative that the track aims to achieve.

The fourth track concludes the EP very well. Compared to the first three tracks, this stands out to me personally. It perfectly captures the vulnerable spirit of 2000s alt rock, the rhythmic variations and textural changes are layered so well that it pairs beautifully with the lyrics.

Overall, the composition of the malice of chance and time shows prdr’s excellency and high production standards. Each track is polished, superior and flawless, which shows his exceptional artistry in blending progressive post and alt rock. Not only does he excel in quality of the production, he also does not leave out the need for compelling lyrics. Every track in the EP has thoughtfully crafted and deeply expressive wordplay. It’s full of tracks that navigate the rhythm between fate and temporality.

For genre-blending fans and listeners of The Contortionist, A Perfect Circle, Porcupine Tree, or Karnivool, and the like, malice of chance and time deserves a spot in your music library!