New Music

Eleanor Idlewood’s The Roommates is a sensational, neon-lit ode to queer romance

Eleanor Idlewood does more than just music, she delivers with plot, lush, and a touch of mischief. With the release of The Roommates, Eleanor spins a synthwave track for that playful and neon-lit salute to queer intimacy. Hailing from Bordeaux, France, the queer French electronic artist thrives in lush and atmospheric synths for that VHS […]

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Amy Field yearns deep and fierce with a whiskey-soaked track Universe

If you’ve ever watched James Bond on an old and grainy TV from your parents’ house or followed each one of it, then you’ll totally love this standout track “Universe” from Amy Field. Universe unravels slowly with Amy’s whiskey-soaked voice, which honestly drives the whole track. The vocals are gripping with texture and it’s not

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We’re Digging The Vibe Jermaine Fleur Brings To The Function With “All I Need”

Hands down, this song has the potential to draw people in, regardless of their style and taste in music. Like a shiny object no one can look away from, the beat and the hook is bound to draw anyone from everywhere in to join in the carefree groove. Based in Amsterdam, Jermaine Fleur is a

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“Mine” from DayEyez, is a meditation on quiet tragedy

There’s a particular kind of heartbreak that doesn’t make headlines. Not betrayal, not unrequited passion; just logistics. Calendars. Conflicting schedules. The brutal fact that love, no matter how sincere, has to make room for rent payments and 12-hour shifts. “Mine,” the latest single from DayEyez, is a three-minute meditation on that quiet tragedy. It’s about

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Haus of Sound’s Mirage is a reality check in a synth-driven alt-rock statement

Haus of Sound is back to weave out their name in the scene – but this time, in a sharp and synth-driven alt-rock way. The release of Mirage keeps the momentum of their rich and growing discography. Mirage jumps off with heavy instrumental, but not in a way that overwhelms. Just enough to crawl into

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May: 21–26 by Evan de Roeper isn’t here to save you, and it’s not pretending it can

There’s a moment, about thirty seconds into “Howl”, the opening track on Evan de Roeper’s May: 21–26, where you realize you’re not just listening to music; you’re eavesdropping on something intensely private. It’s that soft-spoken, hard-hitting emotional espionage that defines the whole EP. Evan doesn’t so much perform these songs as he disassembles himself in

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Activation by The Shields. is the sound of someone picking up the pieces, not to make a mosaic, but just to hold them for a while

There’s a certain kind of album that doesn’t try to be more than it is, and somehow, that’s exactly what makes it more than it seems. The debut LP from The Shields. called Activation is one of those albums. It doesn’t show up in neon and shout about how deep and emotional it is. Rather,

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Apeiron Bound’s Firmament: Redux delivers what most tracks don’t: quality and unpredictability

If you’ve had enough of the same formulaic and unsurprising music flooding in the mainstream, Apeiron Bound is back with a fresh and cinematic prog-metal track Firmament: Redux. If you like your music good and unpredictable, this band from Tampa, Florida gives you an expansive sonic experience to immerse and enjoy. Firmament: Redux slowly delivers

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Blunt Blade makes the bold choice to slow things down and ask for something deeper on Forgiveness

Blunt Blade’s Forgiveness is one of those albums that feels like it was engineered in a lab somewhere deep under Abbey Road Studios with a bunch of old-school rock nerds and orchestral obsessives locked in a room together. It’s a sprawling, thirty eight minute prog-rock epic that’s basically the soundtrack to your existential crisis, but,

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