New Music

Pourquoi? C’est L’Amour by La Need Machine understands the assignment

La Need Machine, emerging from the eternally rain-drenched indie petri dish that is Seattle, have somehow managed to weaponize sincerity and make it work. In a world where “authenticity” usually means taking a moody black-and-white selfie and calling it an album cover, these guys actually mean it. Their sound? A gloriously chaotic cocktail of indie

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Don’t Give Everything by Holy Dose is leading the charge, and you’ll get left behind if you don’t keep up

Imagine a world where the last four or five years of experimental hardcore albums have just been a warm-up. God’s Country? Cute. Soul Glo throwing everything in the kitchen sink? Sure, if you like that kind of thing. Chat Pile telling tales of industrial despair? Admirable. Now, enter Holy Dose, a trio from Los Angeles

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Mission To Sleep’s “A Spark or The End” Is Every Rock Indulger’s Dream

It’s gritty. It’s undeniable. Presenting a release that goes this hard is a milestone in itself but new listeners will be shocked when they find out “A Spark or The End” is Mission To Sleep‘s debut album. The band brings more than just a spark — they bring new colors and something refreshing back to

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The Quiet One by Ray DA Worst aren’t just playing to the underground; they’re reshaping it with every bar, every beat, and every precision-placed scratch

In the modern music economy, where “albums” are often just glorified TikTok delivery systems and attention spans have been reduced to the lifespan of a sneeze, The Quiet One is, frankly, obnoxious. In a good way. Let me explain. It is 33 tracks long. Thirty-three. That’s not an album. That’s a novella. That’s an unabridged

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“Never Came to Be”, A Bittersweet Tale by Noctæra

Bearing a pop rock, emo-esque tune, this Noctæra single also consists of a story that will get heads turning and attention piquing. It’s vague in a sense that it would make audiences want more, yet precise enough to make them relate to select lines. Through questions, assumptions, and hopefulness felt in the words, it’s as

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“pretty, baby!” is about identity, grief, joy, community, and most importantly: it sounds good as hell

Pillowprince is an Oakland-based indie band with a name that sounds like it belongs to either a shoegaze project or a particularly edgy Etsy store, and a debut EP that does not waste time. pretty, baby! is a genre cocktail of indie rock, shoegaze, slowcore, and queercore, which is to say: it’s both emotionally devastating

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“Open Highway” Is A Fusion Of Simplicity and Complexity

There’s a sense of familiarity and nostalgia between the lines, and a clear distinction of Guided by Voices’ influence on the overall vibe. “Open Highway” is a win for those who dig indie, alternative rock, and lo-fi tunes, as this record is everything in between; it’s almost difficult to figure out which category it fits

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“Before the Animals Know You’re Dead” already knows your name. And the animals are listening

Krohme’s “Before the Animals Know You’re Dead” is not here to entertain you. It’s here to test whether or not your soul is up to date. Following the apocalyptic grief spiral of The Ceremony of Innocence, which is an album that sounded like it was pulled from the wreckage of a society that tried “vibes”

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if you’ve got at least one unresolved emotional wound from your twenties, give Eyes Like Torches at the Gate by Ratyński a spin

Eyes Like Torches at the Gate by Ratyński is a two-track classical guitar EP that gently crawls out of the abyss of modern noise and politely asks if you’d like to cry about the nature of change for approximately seven minutes. And somehow, by the end of it, you will have done exactly that, without

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