The moment Sarina enters the stage, expect an extraordinary, striking performance that deserves to make headlines. And with her latest project The Fool, you’ll get a curation of tracks that is less like an EP and more of an unapologetic statement with no filter, no restraint.
Tokyo alt-rock/pop-punk artist Sarina is back with The Fool, a six-part EP pivoting on themes of identity and its various facets. What you’ll get isn’t a mere attempt to sound different, but a sharp, bold showcase of self that is restless and unafraid to unveil every side track by track.

We’re so used to alt-rock and pop-punk’s heavy, overwhelming sounds. But there’s something about Sarina‘s sound that’s layered intricately. It’s loud, messy, and chaotic. Yet, at the same time, it feels dangerously cohesive and in harmony.
While others throw you unending affirmations and motivational phrases wrapped in delicate melodies, Toast to the Broken tells you, “here’s to giving up”. Sarina doesn’t try to save you from collapse, she celebrates it and the truth is, it’s oddly comforting. It’s not just rebellion but a protest out of exhaustion and burn out, a messy and cathartic one. It’s the kind that tells you to laugh through the pain, run from it, or just be loud about it.
Race With No End lies in acoustic fill-ins, ambient keys, and heartbeat-like percussion. Sarina bares it all here and it feels like jumping on her soul train running at full-speed. You’ll hear it burn and bleed through the ache all while clinging onto hope and desire to survive—even with clenched fists, whether breathless or wounded.
If you need me to be the villain (Then maybe I am) feels like it has been pushed to the edge, equal parts self-defense and self-destruction. It’s tight and jagged with zero attempt to sugarcoat the pain. The way she sings the part, “if you need me to be the villain, then maybe I am,” feels like a note written in crimson red then tossed into the fire.
Sarina isn’t kidding when she mentioned that Fools Gold is the strongest song among her current discography. At its core, she unveils decay and hollowness above the layers of glamour and facade. It’s confrontational, almost like a warning and a challenge that sounds freeing at the same time.
There’s something about Sarina’s voice that holds so much power and emotion. Whether it’s delicate, loud, or textured delivery, her unparalleled vocal sits deep in the alt-rock grit and pop-punk edge. And before I forget, her songwriting isn’t just sharp, it’s vivid, teeth-barring, possessing substance and style all at once.
All in all, Sarina’s The Fool deserves the spotlight for being real—unforgettable, delicate, and loudly vulnerable. The one that is never made for casual listening but to be felt in skin and bones.
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